Series
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Collected Works
Collected Works
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→
VIII/2:
Gesamtausgabe der Werke von Johannes Galliculus (Hähnel), Band II: Magnificat Quarti Toni, Magnificat Quinti Toni, Magnificat Septimi Toni
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→
VIII/3:
Gesamtausgabe der Werke von Johannes Galliculus (Hähnel), Band III: Motets
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→
VIII/4:
Gesamtausgabe der Werke von Johannes Galliculus (Hähnel), Band IV: Isagoge de Composicione Cantus
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→
XI/2:
Collected Works of Antoine de Févin: Masses (II); Gesamtausgabe der Werke von Antoine de Févin: Messen (II)
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→
XI/3:
Collected Works of Antoine de Févin: Lamentations, Magnificats, Motets and Chansons
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→
XI/4:
Collected Works of Antoine de Févin: Opera Dubia, Fragments, Intabulations
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→
XII/2:
Obras completas de Cristóbal Galán, Volumen II: Obras litúrgicas, Segunda Parte
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→
XII/3:
Obras completas de Cristóbal Galán, Volumen III: Obras litúrgicas, Tercera Parte
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→
XII/4:
Obras completas de Cristóbal Galán, Volumen IV: Solos, dúos y tríos
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→
XII/5:
Obras completas de Cristóbal Galán, Volumen V: Cuartetos/Quartets, Primera Parte
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→
XII/6:
Obras completas de Cristóbal Galán, Volumen VI: Cuartetos, Quintetos y Sextetos
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→
XII/7:
Obras completas de Cristóbal Galán, Volumen VII: Sextetos y Septetos
-
→
XII/8:
Obras completas de Cristóbal Galán, Volumen VIII: Octetos 1-8
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→
XII/9:
Obras completas de Cristóbal Galán, Volumen IX: Octetos 9-15
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→
XII/10:
Obras completas de Cristóbal Galán, Volumen X: Octetos 16-22
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→
XII/11:
Obras completas de Cristóbal Galán, Volumen XI: Obras para conjuntos de más de ocho voces u ocho voces con instrumentos obligados
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→
XIII:
Collected Works of Robert de Févin, Masses and Motet
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→
XIV/1:
Collected Works of Francisco de Peñalosa, Twenty-Four Motets
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→
XIV/2:
Collected Works of Francisco de Peñalosa, The Lamentations of Jeremiah
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→
XV:
Collected Works of Melchior Neusidler: Intabolatura di Liuto (Venice, 1566), An Edition of the Original Music
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→
XVI/1:
Jean Maillard, The Masses
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→
XVII/1:
Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (1)
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→
XVII/2:
Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (2)
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→
XVII/3:
Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (3)
-
→
XVII/4:
Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (4)
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→
XVII/5:
Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (5)
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→
XVII/6:
Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano: Liber Missarum (6)
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→
XVIII:
The Songs of the Master Trouvère Gace Brulé (ca. 1159-ca. 1213)
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XIX:
The Circle Around Gace Brulé: Four Famous Early Trouvères
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XX:
The Earliest Laude: The Cortona Hymnal
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XXI:
The Transitoria of the Ambrosian Mass Edited from Three Sources
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→
XXII:
The Lamentations of Jeremiah: Ten Sixteenth-Century Spanish Prints, An edition with introduction
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→
XXIII:
Le Veglie di Siena; The Night Games of Siena (A Madrigal Comedy), 1604
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→
XXIV/1:
The Earliest Polyphonic Art Music: The 150 Two-Part Conductus in the Notre-Dame Manuscripts (Volume 1)
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→
XXIV/2:
The Earliest Polyphonic Art Music: The 150 Two-Part Conductus in the Notre-Dame Manuscripts (Volume 2)
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→
XXV:
Trouvère Lyrics with Melodies: Complete Comparative Edition, Revisited
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→
XXVI:
Matins for the Dead in Sixteenth-Century Colonial Mexico: Mexico City Cathedral 3 and Puebla Cathedral 3
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XXVII/1:
An Anthology of Fifteenth-Century Italian Psalms, Volume 1
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→
XXVII/2:
An Anthology of Fifteenth-Century Italian Psalms, Volume 2
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→
XXVII/3:
An Anthology of Fifteenth-Century Italian Psalms, Volume 3
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→
XXVIII:
Hildegard of Bingen: Ordo Virtutum, A Comparative Edition
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→
XXIX/1:
The Complete Extant Transmissions of the Masses by Guillaume Faugues (1)
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→
XXIX/2:
The Complete Extant Transmissions of the Masses by Guillaume Faugues (2)
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→
XXIX/3:
The Complete Extant Transmissions of the Masses by Guillaume Faugues (3)
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→
XXIX/4:
The Complete Extant Transmissions of the Masses by Guillaume Faugues (4)
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→
XXX:
Hildegard of Bingen, Symphonia: A Comparative Edition
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Musical Theorists in Translation
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Publications of Mediæval Musical Manuscripts
Publications of Mediæval Musical Manuscripts
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→
XIV:
Paris, Bibliothèque nationale, fonds latin 1139: d’après les manuscrits conservés à la Bibliothèque nationale de Paris
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→
XV:
Paris, Bibliothèque nationale, fonds latin 3719: facsimile reproduction of the manuscript
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→
XVI:
Paris, Bibliothèque nationale, fonds latin 3549 and London, British Library, Add. 36,881
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→
XVII:
Cambridge, University Library Ff.i.17 (1)
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→
XVIII:
Paris, Bibliothèque nationale, fonds latin 7211: Analysis, Inventory and Text
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→
XIX:
Firenze, Biblioteca Nazionale Centrale, Conventi Soppressi, F.III.565
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→
XX:
Oxford Bodleian Library, MS. Lat. liturg. b. 5
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→
XXI:
Utrecht, Bibliotheek der Rijksuniversiteit, MS 406 (3.J.7)
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→
XXII:
National Library of Wales, MS.20541 E, The Penpont Antiphonal
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→
XXIII:
Oxford, Bodleian Library, MS. e Mus. 126 (The York Processional)
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→
XXIV/1:
Mss Avranches, Bibliothèque municipale 236, 237: Music Theory in Mediaeval Normandy, Volume 1: Boethius’ De Institutione Musica
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→
XXIV/2:
Paris, Bibliothèque nationale, fonds latin 10509
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→
XXV/1:
Lambeth Palace, Sion College, MS. L1: The Noted Breviary of York (Olim Sion College, ms. Arc.L.40.2/L.1), Volume 1: Temporale, Kalendar, and Psalter
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→
XXV/2:
Lambeth Palace, Sion College, MS. L1: The Noted Breviary of York (Olim Sion College, ms. Arc.L.40.2/L.1), Volume 2: Sanctorale and Common of Saints
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→
XXV/3:
Lambeth Palace, Sion College, MS. L1: The Noted Breviary of York (Olim Sion College, ms. Arc.L.40.2/L.1), Volume 3
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→
XXVI:
Paris, Bibliothèque nationale, fonds latin 1143
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→
XXVII/1:
Salamanca, Archivo de la Catedral, Ms. 5
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→
XXVII/2:
Salamanca, Archivo de la Catedral, Ms. 6
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→
XXVII/3:
Salamanca, Archivo de la Catedral, Ms. 7
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→
XXVII/4:
Salamanca, Archivo de la Catedral, Ms. 8
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→
XXVIII:
Liber sequentiarum et sacramentarium de Šibenik
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→
XXIX:
Vilnius, Library of the Lithuanian Academy of Sciences, Department of Manuscripts, F22-95
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→
XXX:
L’antiphonaire de la Paix des Princes chrétiens: Calligraphié à Saint-Omer par Sire Michel Reymbault enluminé à Lille par Soeur Françoise de Heuchin ca 1550-1561
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XXXI:
Utrecht, Universiteitsbibliotheek, Hs. 16 H 34
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→
XXXII:
München, Bayerische Staatsbibliothek, Clm 14965b: The Tonary of Frutolf of Michelsberg [ff. 34-73v]
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→
XXXIII:
Oxford, Bodleian Library, MS. Selden Supra 27: Prosaire-Tropaire de Heidenheim
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→
XXXIV/1:
Linz, Upper Austrian State Library (olim Bundesstaatliche Studienbibliothek), Codex 290 (183), Volume 1
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→
XXXIV/2:
Linz, Upper Austrian State Library (olim Bundesstaatliche Studienbibliothek), Codex 290 (183), Volume 2
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→
XXXV:
Tallin, Eesti Ajaloomuuseum (Tallin, Historical Museum), MS 237.1.228.a (XIX.184; 24075)
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Musicological Studies
Musicological Studies
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XLV:
Medieval Polyphonic Sequences: An Anthology
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→
XLVI:
Modal Rhythm
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→
XLVII:
The Ambrosian Cantus
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→
XLVIII:
Italian Tonaries
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→
XLIX:
The Mass of Saint James: Solemn Mass for the Feast of the Passion of St. James of Compostela according to the Codex Calixtinus
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→
L/1:
The Antiphons of the Ambrosian Office
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L/2:
The Melodic Tradition of the Ambrosian Office-Antiphons
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→
L/3:
Antiphon and Psalm in the Ambrosian Office
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→
LI:
Style and Symbol, Medieval Music: 800-1453
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→
LII:
Letter Notations in the Middle Ages
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→
LIII:
Beyond the Moon: Festschrift Luther Dittmer
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→
LIV:
A Tradition of Three Tropes
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→
LV/1:
CANTUS: An Aquitanian Antiphoner: Toledo, Biblioteca capitular, 44.2, Printouts from an Index in Machine-Readable Form, A CANTUS Index
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→
LV/2:
CANTUS: Piacenza, Biblioteca Capitolare 65, Printouts from an Index in Machine-Readable Form, A CANTUS Index
-
→
LV/3:
CANTUS: A Monastic Breviary of Austrian Provenance, Linz, Bundesstaatliche Studienbibliothek, 290 (183), Printouts from an Index in Machine-Readable Form, A CANTUS Index
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LV/4:
CANTUS: Two Cambrai Antphoners, Cambrai, Médiathèque Municipale 38 and Impr. XVI C 4, Printouts from two Indices in Machine-Readable Form, A CANTUS Index
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LV/5:
CANTUS: The Zwiefalten Antiphoner, Karlsruhe, Badische Landesbibliothek, Aug. perg. LX, Printouts from an Index in Machine-Readable Form, A CANTUS Index
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LV/6:
CANTUS: An Utrecht Antiphoner, Utrecht, Bibliotheek der Rijksuniversiteit, 406 (3.J.7), Printouts from an Index in Machine-Readable Form, A CANTUS Index
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→
LV/7:
CANTUS: Four Klosterneuburg Antiphoners, Augustiner-Chorherren Stiftsbibliothek, 1013, 1012, 1017, and 1018, Printouts from an Index in Machine-Readable Form, A CANTUS Index
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→
LV/8:
CANTUS: Salamanca, Archivo de la Catedral, 5,6,7,8, Printouts from an Index in Machine-Readable Form, A CANTUS Index
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→
LVI:
Modal Assignment in Northern Tonaries
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LVII:
Les Chansons de Claude Goudimel: Analyses Modale et Stylistiques
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LVIII:
From Confucius to Kublai Khan: Music and Poetics Through the Centuries
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LIX:
The Latin Motet: Indexes to Printed Collections, 1500-1600
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→
LX/1:
Secular Medieval Latin Song: An Anthology
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→
LX/2:
A Critical Study of Secular Medieval Latin Song
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LX/3:
The Social Background to Secular Medieval Latin Song
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LXI:
Johannis de Muris, Musica <Speculativa>
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→
LXII/1:
The Cultural Milieu of the Troubadours and Trouvères
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LXII/2:
The Medieval West Meets the Rest of the World
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LXII/3:
Tradition and Ecstasy: The Agony of the Fourteenth Century
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LXII/4:
Design and Production in Medieval and Early Modern Europe: Essays in Honor of Bradford Blaine
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LXII/5:
Medieval Germany: Associations and Delineations
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LXII/6:
Issues in Medieval Philosophy: Essays in Honor of Richard C. Dales
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LXII/7:
Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean
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→
LXII/8:
Procession, Performance, Liturgy, and Ritual: Essays in Honor of Bryan R. Gillingham
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→
LXIII:
Indices to the Notre-Dame Facsimiles
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LXIV:
Antiphons for Paschal Triduum Easter in the Medieval Office
-
→
LXV/1:
HISTORIÆ: Two Offices for St. Elizabeth of Hungary, Gaudeat Hungaria and Letare Germania; Introduction and Edition
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→
LXV/2:
HISTORIÆ: Historia Sancti Emmerammi, Arnoldi Vohburgensis, circa 1030
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→
LXV/3:
HISTORIÆ: Historia Sancti Dionysii Areopagitæ, St. Emmeram, Regensburg, ca. 1050 / 16. Jh.
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→
LXV/4:
HISTORIÆ: Historia Sancti Erhardi
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→
LXV/5:
HISTORIÆ: Officium Presentationis Beate Virginis Marie in Templo
-
→
LXV/6:
HISTORIÆ: L’Office Romano-Franc des Saints Martyrs Denis, Rustique et Eleuthere
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→
LXV/7:
HISTORIÆ: Hermannus Contractus (1013-1054), Historia Sancti Wolfgangi Episcopi Ratisbonensis
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→
LXV/8:
HISTORIÆ: Two Aquileian Poetic Offices
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→
LXV/9:
HISTORIÆ: Historia de Sancta Martha Hospita Christi redactio Bohemica: Ein spätmittelalterliches Reimoffizium zu Ehren der heiligen Martha in seiner böhmische Überlieferung
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→
LXV/10:
HISTORIÆ: Hermannus Contractus (1013-1054), Historia Sanctæ Afræ Martyris Augustensis
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→
LXV/11:
HISTORIÆ: Historia Sancti Martini
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→
LXV/12:
HISTORIÆ: Historia Sancti Achacii
-
→
LXV/13:
HISTORIÆ: Historia Sancti Simperti, aus dem Benediktinerkloster St. Ulrich & Afra Augsburg
-
→
LXV/14:
HISTORIÆ: Historia Sancti Quirini, Historia Sancti Chrysogoni aus dem Benediktiner Tegernsee
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→
LXV/15:
HISTORIÆ: Historia Sancti Ludgeri
-
→
LXV/16:
HISTORIÆ: Historia Sancti Reguli Episcopi et Martiris
-
→
LXV/17a:
HISTORIÆ: The Offices and Masses of St. Knud Lavard († 1131), (Kiel Univ. Lib. MS S.H. 8 A.8°), Volume 1: Facsimile
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→
LXV/17b:
HISTORIÆ: The Offices and Masses of St. Knud Lavard († 1131), (Kiel Univ. Lib. MS S.H. 8 A.8°), Volume 2: Edition
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→
LXV/18:
HISTORIÆ: Historia Sancti Stephani Regis 1190-1270
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→
LXV/19:
HISTORIÆ: L’Office de la Couronne d’épines à Sens
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→
LXV/20:
HISTORIÆ: Historia Sancti Demetrii Thessalonicensis
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→
LXV/21:
HISTORIÆ: Historia Sancti Galli (circa 900)
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→
LXV/22:
HISTORIÆ: Hermannus Contractus (1013-1054), Historia Sancti Magni
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→
LXV/23:
HISTORIÆ: Historia Sancti Gatiani Episcopi Turonensis
-
→
LXV/24:
HISTORIÆ: The Office of St. Vigilius, Bishop and Patron of the Church of Trent
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→
LXV/25:
HISTORIÆ: The Office of Saint Julian of Le Mans by Letald of Micy (circa 1000)
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→
LXV/26:
HISTORIÆ: Balther von Säckingen, Bischof von Speyer, Historia Sancti Fridolini (ca. 970)
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→
LXV/27:
HISTORIÆ: The Office of Saint William of York
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→
LXV/28:
HISTORIÆ: Historia Sancti Hylarii Episcopi Pictaviensis (circa 816-930)
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→
LXVI:
Adrian Le Roy, Traicté de Musique: Facsimile Edition with Translation, Introduction and Notes
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→
LXVII:
Medieval Liturgical Music of Zamora
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→
LXVIII:
French Double and Triple Motets in the Montpellier Manuscript: Textual Edition, Translation and Commentary
-
→
LXIX:
The Manuscript Ivrea, Biblioteca Capitolare 115: Studies in the Transmission and Composition of Ars Nova Polyphony
-
→
LXX/1:
Le premier et le secont livre de fauvel, in the version preserved in B.N. f. fr. 146
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→
LXXI/1:
Les manuscrits en écriture bénéventaine de la Bibliothèque Capitulaire de Bénévent; Tome II: manuscrits 19-23, 25-31, 33-40, 42, 44, 66, 68 et fragments; Formulaires liturgiques (messes)
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→
LXXI/2:
Les manuscrits en écriture bénéventaine de la Bibliothèque Capitulaire de Bénévent; Tome III: Formulaires liturgiques (offices), Tables et index
-
→
LXXII:
Chant and its Peripheries: Essays in Honour of Terence Bailey
-
→
LXXIII:
Guido d’Arezzo’s Regule Rithmice, Prologus in Antiphonarium, and Epistola ad Michaehelem: A Critical Text and Translation
-
→
LXXIV:
Lateinische Conductus-Texte des Mittelalters (Medieval Latin Conductus Texts)
-
→
LXXV:
Conductus and Contrafacta
-
→
LXXVI:
The Emperor’s Old Clothes: The Rhythm of Mediaeval Song
-
→
LXXVII:
Albi, Bibliothèque Municipale Rochegude, Manuscript 44: A Complete Ninth-Century Gradual and Antiphoner from Southern France
-
→
LXXVIII:
The Poetic and Musical Legacy of Heloise and Abelard: An Anthology of Essays by Various Authors
-
→
LXXIX:
The Transitoria of the Ambrosian Mass: Compositional Process in Ecclesiastical Chant
-
→
LXXX:
Music Performance Practice in the Early cAbbāsid Era, 132-320 AH / 750-932 AD, 2nd edition
-
→
LXXXI/1:
Denkmodelle zur französischen Mensuraltheorie des 14. Jahrhunderts, Band I: Historische Darstellung
-
→
LXXXI/2:
Denkmodelle zur französischen Mensuraltheorie des 14. Jahrhunderts, Band II: Analytische Untersuchung
-
→
LXXXII:
Manuscript Sources of French Music Theory: Paris, Bibliothèque Nationale, Arsenal, MS 3042. A Facsimile Edition with Translations, Introduction and Commentary.
-
→
LXXXIII:
Music in the Cluniac Ecclesia: A Pilot Project
-
→
LXXXIV:
Commemoration, Ritual and Performance: Essays in Medieval and Early Modern Music
-
→
LXXXV:
Letania and Preces: Music for Lenten and Rogations Litanies
-
→
LXXXVI:
Boethius: De institutione arithmetica libri duo; Édition proto-philologique intégrale princeps d’un manuscript du IXe siècle (Paris, Bibliothèque nationale de France, latin 14064)
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LXXXVII:
Studies in Medieval Chant and Liturgy in Honour of David Hiley
-
→
LXXXVIII:
Kritik und Methode in musikhistorischer Spätmittelalterforschung
-
→
LXXXIX:
Indices to Cambridge, Fitzwilliam Museum MS 369
-
→
XC:
Dies est leticie: Essays on Chant in Honour of Janka Szendrei
-
→
XCI:
Political Plainchant? Music, Text and Historical Context of Medieval Saints’ Offices
-
→
XCII:
The Chants of the Ambrosian Offertory: the Antiphons ‘after the Gospel’ and the Offerendae
-
→
XCIII:
Rhythmic Theories and Practices in Arabic Writings to 339 AH/950 CE
-
→
XCIV:
Les traditions du Plain-chant Occidental / Traditions in Western Plainchant
-
→
XCV:
Bibliographia Organorum Antiquorum, cum indicibus nominum et rerum
-
→
XCVI:
Cathedral, City and Cloister: Essays on Manuscripts, Music and Art in Old and New Worlds
-
→
XCVII/1:
The Versified Office: Sources, poetry and chants (Volume 1)
-
→
XCVII/2:
The Versified Office: Sources, poetry and chants (Volume 2)
-
→
XCVIII:
Chant: Old and New/ Plain-chant: l’ancien et le nouveau
-
→
XCIX:
Offertorium and Offerenda: Kinship and Structure
-
→
C/1:
Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS, Dobogókő/Hungary, 2009. Aug. 23-29. Volume 1
-
→
C/2:
Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS, Dobogókő/Hungary, 2009. Aug. 23-29. Volume 2
-
→
C/3:
Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS, Dobogókő/Hungary, 2009. Aug. 23-29. Volume 3
-
→
CI:
A Musicological Gift: Libro Homenaje for Jane Morlet Hardie
-
→
CII:
The Becket Offices: Paradigms for liturgical research (Part 1)
-
→
CIII:
The Becket Offices (2), Paradigms for liturgical research: Analysis
-
→
CIV:
122 Ambrosian Responsories: Transcription and Analyses
-
→
CV:
Chant and Culture: Proceedings of the conference of the Gregorian Institute of Canada / Plain-chant et Culture: Actes du colloque de l’Institut grégorien du Canada
-
→
CVI:
The Letter of St. Bernard and the Tract on the Cistercian revision of the Antiphoner
-
→
CVII:
The Ambrosian Processions ‘ad crucem’
-
→
CVIII:
Mapping Processions: Four Sixteenth-Century Spanish Music Manuscripts in Sydney
-
→
CIX:
Psallendae: The Ambrosian Processional Antiphons
-
→
CX:
Music Theory Manuscripts from Mediaeval Normandy